![]() It makes their life harder to recognize which cues belong to which composers. IMO, the loops are disturbing PROs in the money collection. ![]() I’m just warning composers : you should really not use any premade loops, especially the one from Heavyocity which are highly recognizable and so effective that many composers use them instantly after buying them. Well I guess the most powerful publisher (like Sony, Universal or whatever) will get the money because one of their track was false-detected in that particular show because of a loop. ![]() Imagine that particular cue is not registered or the cue sheet is incomplete. What do you think the PROs will do when they detect multiples cues with the same loops ? do you think they go as far in their research. Also, a lot of cues where I used some Heavyocity Evolve Mutations or Evolve AEON melodic loops, I get a lot of detections of cues that are clearly not mine, although the loops in question sound the same. I have put my whole catalogue on vericast and the system, widely used by PROs worldwide, detects a lot of false positive especially on cues that use loops like Damage 1, the famous epic tech menu for instance. Well, I’m just giving an advice regarding the LOOPS, not the use of the single sounds.
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